Fringe

Hero, Sidekick, Villain

Hero, Sidekick, Villain

Sir Arthur Conan Doyle created a classic trio of characters with his Sherlock stories: hero, sidekick, and villain. For example: Sherlock, Dr. Watson, and Moriarty.

I took a look at other stories to see how closely they fit Conan Doyle’s setup. These aren’t in any particular order and this certainly isn’t an exhaustive list — just off the top of my head.

StoryHeroSidekickVillain
SherlockSherlockDr. John WatsonMoriarty
Harry PotterHarryRon, HermioneVoldemort
Merlin (v1)MerlinArthurMorgana
Merlin (v2)ArthurMerlinMordred
FringePeter/OliviaWalter, AstridWalternate
SupermanSupermanJimmy OlsenLex Luthor
BatmanBatmanRobinThe Joker
Doctor WhoThe Doctor[companion]The Master
Teen WolfScott McCall[his pack][multiple]
HavenAudreyNathan, Dukethe Troubles
ChuckChuck, SarahCasey[multiple]
Back to the FutureMartyDoc BrownBiff
Dresden FilesHarryMurphy, [multiple][multiple]
RoswellMax[his friends]FBI
MatildaMatilda(none)her parents, Trunchbull
The SandlotBennySmallsthe Beast
Star Wars (original triology)LukeHan, LeiaDarth Vader

Chuck, Fringe, and Haven: Story arc similarities

I noticed a pattern.

Chuck, Fringe, and Haven all follow a similar story arc with their male and female lead characters.

The story arc goes like this: a female government agent arrives in town for a specific case. She teams up with a man who has secrets (some he knows about; some he isn’t aware of). They start off in a professional relationship. Later it turns romantic. Then, things change:

  • Man loses woman
  • Woman takes on a new identity
  • Woman returns (but is she still the same person?)

This cycle happens at least twice in each show, but despite these similarities, each show explores this story arc differently.

Let’s take a look, show by show. (Spoilers ahead. And for simplicity, I’m leaving out most of the sci-fi inner workings in these shows.)

Fringe: Basic reset TV in a seralized show

Even though Fringe is the most complicated TV show I’ve watched, I think the series finale will resolve with a basic reset–solve the current problem by going back to the beginning.

It’s strange because the Fringe writers don’t take the easy way out (and I’m not saying the finale will be easy), but resetting is a basic device in television. Think of all the sitcoms with no forward motion, where past events have no effect on the characters. Joss Whedon called it “reset TV” in a 2009 interview with Green Cine:

The thing is, I’ve never been able to make reset TV. I’ve never understood it and I’ve never liked it. I cannot just have people get kidnapped and then next week be all chipper so they can have their next adventure. I find that offensive and bizarre and as a kid it would frighten me, it would confuse me. “But he was engaged in the last episode, why isn’t he talking about his dead girlfriend?” It’s just not the way I operate. That doesn’t mean I need to tell some serpentine tale, it just means that if something happens to somebody, they’re going to be a different person. That’s just how it is. People evolve, and that’s the only kind of storytelling that interests me.

Fringe has always been a serialized show that moves forward and evolves its characters. We saw glimpses of a larger story, but how we saw those glimpses constantly changed. First it was case by case and then universe by universe.

We got our first reset in season 4. Peter bridged the universes and inadvertently erased himself from existence. When he returned, everyone he knew was living without having known him. By the end of the season, the reset broke down.

Season 5 fast-forwards to the future and the fringe team is losing the fight against the Observers. The trailers for the final episodes hint that Peter, Olivia, Astrid, and Walter are going to reset time. But how far back? If it’s enough that the characters undo the experiences they’ve had over the series, then what does that mean for them?

The writers continue to surprise, entertain, and challenge the fans, and so I’m not worried about how the show will end because I know it will satisfying. But I keep wondering, what will this reset do? We can guess the next steps but not the conclusion.

Welcome to Fringe.

Fringe theory: the Observers already had the red universe

Spoilers for season 5.

What if in seasons 2 and 3 when we saw the red universe, the Observers had already invaded and were in charge? We’ve always watched the show from the fringe team’s perspective, so what if we simply weren’t shown the Observers’ control? A few things make me think more was going on than what we saw.

1. Walter’s portal – When Walter crossed over to save Peter, he disrupted the balance between the universes. Why was the red universe decaying faster than ours? The show gives us one explanation: time moves differently over there, so the rate of decay is faster. But what if the Observers were contributing to the destruction of the red universe and that’s why it was faster? In season 5, we see that the Observers installed machines to change the chemical composition of the atmosphere. They could have made similar changes that hurt the red universe.

2. Advanced technology – People are mostly the same but with minor differences in each universe, so what allowed people in the red universe to rapidly advance technology? Maybe the Observers traded their tech for the humans’ submission.

3. Show Me – Everyone in the red universe has to carry ID at all times and show it for everything, even boarding a public bus. Why are the people in the red universe under such strict control? The Observers insist on it. It’s not far from requiring Loyalists to have an official stamp on their cheek.

4. Cold-hearted Walternate – Maybe Walternate’s hardened personality is a result of reporting to the Observers. If he is a liaison between humans and Observers, he will act cold and calculating to match how the Observers act. Think of how Broyles is in “Letters of Transit.”

5. The fringe division as clean-up crew – In the red universe, the fringe division’s main responsibility is to respond to fringe events. Amber locations when necessary. Figure out how to patch their deteriorating world. They do investigate situations, but more often than not, it feels like they’re an extension of the government sent out to keep the peace. Foot soldiers but not leaders.

So if the Observers were in control of the red universe, what happened to them in season four? I think the Machine interferes with their influence. When the machine was not put together, the Observers could take over the red universe. Why didn’t they invade our universe too? Peter and Olivia are together on this side, and together they are capable of stopping the Observers. Follow the path of least resistance.

At the end of season 3, Peter activated the Machine and bridged the two universes. The Observers can’t be in power while the Machine is running, so their influence unraveled and the red universe began to heal. Observers could still visit but they couldn’t invade and take over any more.

We can take the “fixed point in time” idea from Doctor Who and apply it here. Peter was supposed to connect the two universes to save them from the Observers. That’s why September kept showing up to help. He wanted to keep the timeline in tact.

So what went wrong? William Bell wanted to create a new universe and destroy the others. Peter had to turn off the Machine to stop him, and that made both universes susceptible to an Observer invasion. At the end of season 4, September appeared to Walter and warned that the Observers are coming. And here we are in season 5.

I don’t know how plausible this theory is, but it’s fun to play around with the ideas in Fringe.

Pushing boundaries: Morality and justified science in Fringe

I co-wrote this piece with a friend over the summer. Spoilers for season 4 of Fringe. Enjoy, and please feel free to leave comments below.

We noticed a marked difference in Future!Walter in “Letters of Transit.” He was much more like Secretary of Defense Walternate than he was the Walter that we are familiar with. However, this difference only comes after the Future!Fringe team has regenerated his brain using the tissues from the brain sample that we now know contained the plans to create the New World.

Now that we know that the “man he didn’t like that he was becoming” was related to a concentrated series of ideas as opposed to a holistic character trait, might we see a Future!Walter next season who tries to recapture that idea and escapes from the world overtaken by the Observers by creating an alternative universe?

It would be an interesting symmetry and move for the character—to go from being responsible for the near destruction of an alternate universe to the creation of a new one.

And we, the audience, will be okay with Walter’s work to create a new universe because he will do it to save mankind. Fringe has always played with ideas of moral and immoral science, and in season 5, we will see this boundary bend and shift.

Originally, we were asked to believe that crossing universes was a bad thing. Walter upset the balance and both worlds suffered because of his actions. But in the past four years, we have also seen positive outcomes from crossing over: Peter and Lincoln found their “homes” in the universe where each man was not born. The dopplegangers worked together and shared experiences. Both Fringe divisions were better for it. Walter and Walternate found forgiveness and reconciliation for their past actions.

We’re okay with the outcomes of crossing universes, but we’re having a hard time sympathizing with Bell’s attempt to destroy the universe and make a new one. And we know why: he didn’t have a reason for what he was doing, except that he could. (Bell said so in Brave New World, Part 2: “God made us in His image. If that is so, if we are capable of being gods, then it is our destiny to do so.”)

So along with the moral/immoral boundary, we have this question of “If you can achieve something through science, should you?”

This is where the push comes in and we’ll bend that boundary between moral and immoral. We’ll be okay with Future!Walter if he creates a new universe in order to defeat the Observers and save everyone because he will be pushing the boundary for the sake of something good—not only because he can. We might be concerned with what the other characters will think and if they’ll allow Walter to carry out his ideas. But we’ve seen that Olivia will do whatever it takes to save the world, and so will Peter, Astrid, and Broyles.

We wind up having to reassess the situation and change our position on its morality when it becomes re-contextualized. Everything must be considered in its context, and new situations each have their own context (sometimes as a result of past events or decisions, sometimes entirely new). The writers complicated (and then made irrelevant) the morality issue when they re-contextualized it within an argument on survival: should the Fringe team work to preserve the established world or create a new one? One issue collapses, and then we get tangled into new ideas.

So what we’re really saying in the end is, “science for the sake of science” is immoral, but science for the sake of humanity is justified. That’s interesting since the premise of the show is based on experimental science. The Fringe Division started out fighting the outcomes of experimental science, and in season 5, experimental science will become their weapon to fight the Observers (we hope).

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