How to figure out page order for printing zines

How do you arrange zine pages so they print in the correct order? There are lots of ways to do this, depending on the size of your zine and the number of pages. Here’s one method for quarter-page zines.

Shout-out to Ryan at Pocket Thoughts. His method for printing quarter-page zines is the first one I learned. What I have below is similar to the way he does it.

Here’s how I determine page order for printing zines.

This example is with a quarter-page zine where the cover is blue cardstock and the interior pages are standard white copy paper.

A hand holding Timers for travelers zine. The zine cover is blue paper. The title is printed in black. A pattern of overlapping circles is behind the title

Printing a quarter-page zine on 8.5 x 11-inch paper means that you have 4 zine pages on the front of the sheet of paper and 4 zine pages on the reverse side of the sheet. So that you don’t have (unintentional) blank pages, your total number of zine pages should be a multiple of 4.

I make a paper dummy (aka mock-up) to figure out the page order. The process might be difficult to follow in writing, so I made a video explaining my method. The rest of this post is the method written out.

Watch the video on YouTube

To make the mock-up, I use scrap paper that’s the same size as what the actual zine will be printed on (8.5 x 11 sheets of paper). If you’re going to have a different paper for the cover, you can use a different color of scrap paper or just mark the paper somehow so you know that’s the cover.

Cut the 8.5 x 11-inch pages in half horizontally.

A sheet of paper with a horizontal line of dashes across the middle of the paper.

Then fold the half-sheets vertically and put them together as a booklet. You should have the same number of pages as what you want your finished zine to be. Zines with 16 pages are common, so that would be the covers plus 12 interior pages.

Don’t staple the pages since you’ll be taking them apart anyway.

Label the front cover, back cover, and interior pages.

A booklet with a green cover. Handwritten text says, front cover.

Take the pages apart, unfold them, and lay them out as if they were 8.5 x 11-inch sheets of paper. You’ll have groupings with 2 half-sheets. Then you can see how the zine pages should be ordered for printing. Flip the half-sheets over to see which zine pages would be on the reverse side of the page. This will show you how to arrange zine pages for double-sided printing.

Auto-generated description: A blank piece of paper is folded with numbers 12, 1, 10, and 3 written in the quadrants.

Depending on the number of pages in your zine or if you want to use a different type of paper for the cover, you may end up with a half-sheet on its own. In this case, for the print layout you can copy and paste the top half of the sheet to the bottom half. So on the 8.5 x 11-inch sheet of paper, the top half would be the same zine pages as the bottom half.

Take notes so you remember the page order. These can be rough since they’re just for reference when you’re arranging pages in layout.

I use “1A” and “1B” to indicate that’s one sheet of paper, front side (1A) and back side (1B). Then “2A” is the front of the second sheet of paper and “2B” is the back of the second sheet of paper.

A piece of paper features four diagrams labeled 1A, 1B, 2A, and 2B, each divided into four sections with text inside them.

As long as you figured out the sequence correctly, you’ll be able to print and assemble your zines in the correct page order.


Zine: Timers for travelers

“Timers for travelers” is a 20-page zine about time travel. It includes:

  • Why timers are important to time travelers
  • Tips and warnings for traveling through time
  • Time travel methods
A hand holds a blue zine titled Timers for Travelers and other thoughts about time travel. Circular designs are above and below the text.

Pages were made with a combination of hand-drawn illustrations, digital elements, and typed text.

The zine measures 5.5 inches high x 4.25 inches wide (quarter-page zine). The cover is blue cardstock. Interior pages are printed in black and white on 24lb white paper. The zine is hand-folded and bound with staples.

An open zine, displaying a passage about how time travelers may lose their sense of time. A zine spread with time travel tips and an ad about a career in time traveling. An open zine with a page that features a constellation drawing with a poem and time travel tips. Two copies of Timers for travelers lying on a yellow surface.

Zine: Everyday Time Travel

“Everyday Time Travel” is about ordinary moments that feel like time moves differently than normal.

A hand is holding a small zine titled Everyday Time Travel with a decorative geometric pattern.

Out of the zines I’ve made so far, this one probably came together the fastest, from the initial idea to the finished zine.

I made the backgrounds with scrapbook paper, and I added some details with fineliner pens. Then I wrote the text on white paper, tore out pieces, and glued them over the scrapbook paper. I like how all the colors and patterns came together.

Here are the interior pages:

A vintage-style page spread with orange paper, a retro telephone, and a message about time slowing down on Friday afternoons or when on hold. A zine spread with a poetic quote about quiet moments with snowflake patterns and yellow and blue backgrounds. A textured purple background with musical notes. Handwritten text describes how time and memory interact with music, emphasizing the effects of playing songs on repeat and singing verses out of order.

And the back cover:

A hand is holding a the back cover of a zine with a thank you message.

Zine: Questions to ask yourself, part 3

“Questions to ask yourself: Part 3” is a hand-drawn mini zine with thoughtful questions and illustrations.

A mini zine titled Questions to ask yourself: Part 3. The subtitle says, Moods change with context. The zine is printed on white paper with black text. A page spread with handwritten text that says, Which do you enjoy more--starting or finishing? The drawing on the left page is a ball of scribbles. The drawing on the right page is neat rows of squares. A page spread with handwritten text that says Which do you find more difficult--jumping in or letting go? An illustration on the left page shows two wavy lines that then intersect into a double-helix on the right page. Near the right edge of the page, the lines separate.

This is part 3 in a series.

Three mini zines titled Questions to ask yourself Parts 1, 2, and 3 are arranged against a bright green background.

Zine: Vignettes From Camelot

“Vignettes From Camelot” includes glimpses into the lives of Arthurian characters: Merlin, Morgana, Arthur, and an unnamed messenger.

The zine is 16 pages long with 4 original stories and hand-drawn illustrations inspired by nature and magic. It’s printed in black and white. I couldn’t decide on a blue or white cover, and neither could my Instagram poll. 😂 So I made both versions.

Two copies of a zine titled Vignettes From Camelot feature a drawing of a sword in a stone on the cover. One zine has a white cover and the other zine has a blue cover.

The stories in this zine started as a series of tweets I wrote a few years ago. My original idea was to write 10 tweets in a thread and have that be one story about people in Camelot. I never finished that, but I took the ideas I had for Merlin, Arthur, Morgana, and a messenger and fleshed them out into these vignettes.

A zine page featuring a table of contents on the left, with a story titled The Messenger on the right, discussing a young girl's development of a keen sense of truth.

I drew the illustrations by hand using black and gray markers and pens. I wasn’t sure which illustrations would go with which stories, so I drew each page individually. Here are a few of the original illustrations.

Two pieces of paper feature artistic drawings, one with black wavy lines and the other with a stone castle. Around the pages, a market, a pen, and brush pen are place on the table. Two different intricate pen drawings, one depicting a forest and the other abstract wavy lines with dots. Various pens and markers are place around the pages.

When I finished all the illustrations, I scanned them so that I could do the layout digitally.

I used Canva to lay out the text and illustrations. I made many of the illustrations semi-transparent so that the text over them was readable. In some cases, I put white boxes behind the text, so that the words stood out without adjusting transparency on the illustration. Here are two of the pages in Canva.

Two pages of the zine. The left page has an illustration of a castle wall with flags. Black and white text boxes cover part of the castle. The right page has a story about a young girl, with wavy lines in the background.

After I laid out all the pages, I did a few test prints to see how everything looked on paper. I made a some adjustments, and then printed several copies for my Etsy shop.


Zine: Photographic Memories

“Photographic Memories” is a collection of illustrations, writing, and memories related to photography.

It’s a quarter-page zine and 20 pages, which makes this the largest and longest zine I’ve made to date! The zine is printed in black and white and mostly hand-made with some digital elements.

A zine titled Photographic Memories features a design with film strips and vintage camera illustrations.

It took me a while to make this zine. I knew I wanted to focus on photography, but beyond that, I didn’t know what to include. I knew I didn’t want it to be a how-to guide or lessons on photography. You can google all that and nothing I make would be as extensive or informative.

Instead, I thought about things that stuck with me—concepts and memories—and that’s what I made pages about. Here are some previews:

A page of the zine that looks like a notebook page with a list of qualities for photographers. The adjacent page shows photos of trees and their reflection in water. A sketch shows an an MP3 player with text expressing concern about its impact on prints and learning the controls by touch. A whimsical drawing illustrates the hazards of amusement park photography, including thunderstorms, sunburn, angry geese, and kids with squirt guns. Two copies of Photographic Memories. One copy shows the front cover, and the other copy shows the back cover.

I made each page individually and then laid out pages by hand. The original pages look like this:

Pages of the zine with drawings and handwritten notes. Small sticky notes denote page numbers.

I used sticky notes to label each page, so I wouldn’t lose track of what goes where. I scanned pages, added some white space as buffer, and then printed copies.

I learned a lot by making this zine in a larger and longer format than I’ve done before. I already have plans for my next zine. It probably won’t be as long but it’ll be the same page size.


Put your creative work out there

About a year ago, I stated making zines. It was something fun to share with friends, but then the pandemic hit, and we all stayed home. I couldn’t share my zines in person, so I started posting them to Instagram. I had no expectations for how people would respond. People seemed to like them, so every time I made a new zine, I posted it.

I attended a couple online workshops and (virtually) met people who make zines. That created a small community for me, which has been great during a year of limited social interaction.

I post my zines on Instagram and my blog, so anyone can read them digitally. But if anyone wanted a physical copy, there wasn’t an easy way to get one. Last August, I started an Etsy shop. Again, I had no expectations.

This week, I got a message about this zine:

A hand holds a mini zine titled Text Message Moods. The cover has a simple drawing of a smartphone displaying text messages.

A librarian who purchased Text Message Moods asked if she can use it as an example in a student workshop. I said yes because 1) it’s an opportunity to support education and 2) that’s super cool! A year ago, I would have never thought something I made would be in a workshop for students across the country. 

It started with me making zines for friends.

Then I posted zines to Instagram. 

Then I found more people who make zines. 

And then someone who saw my zines reached out to me. 

All of this to say—If you’re working on something (writing, art, poetry, film) and you aren’t sure how it’s going to go…share it anyway. You don’t know if people will like it until they see it. You can’t guess what connections you’ll make through your work. 

Put your creative work out there, and see where it goes. It might lead you somewhere surprisingly good.


Zine: How to teleport safely

“How to teleport safely” is a handy (fictional) guide for how to use teleportation devices safely and avoid…incidents.

A hand holds a small zine titled How to teleport safely — a practical guide, featuring a striped border. A hand is holding an open zine. The pages have drawing of a tree and a volcano with advice on aiming and not landing inside the volcano. A hand is holding an open zine. Handwritten text includes advice about keeping devices charged and carrying manageable luggage. The pages include simple illustrations of a battery and a suitcase. A hand holds an open zine with two pages: the left side encourages embracing the void, while the right advises not to panic, both featuring illustrations and text about travelers' experiences.

Zine: Text Message Moods

"Text Message Moods" illustrates what text message conversations look like, depending on people's moods. You may recognize these patterns.

Copies of this zine are available in my Etsy shop.


Astronaut contribution

I contributed a page to the Pocket Thoughts Annual #3, a collaborative zine that features 25+ zinesters from around the world. Each contributor was welcome to do whatever they wanted with their page. I made this astronaut illustration:

astronaut illustration

I wanted to go for a collage look, but still where I made each part of it. This is what the elements looked like, before I put the page together:

I started with black cardstock and a white gel pen for the stars in the background. If you've seen my space-themed illustrations, you know I love drawing stars on black paper. 🙂

I drew the astronaut on white cardstock and the…cloud thing on black cardstock with a black fineliner and white gel pen. Then I cut those out.

The white strips on the left of the page are pieces of white cardstock.

I printed the text using my Phomemo printer. It's so handy for little things like this!

And then I glued everything into place. To send it in for the zine, I scanned it, so I could send a jpg.

Making this page took a while since I created each element separately, but I'm really happy with how it came out.