Shifting through disciplines

I started watching Abstract: The Art of Design on Netflix. It's a documentary series where each episode focuses on one designer and a different kind of design.

One episode is about Neri Oxman, a professor at MIT Media Lab. She leads a research team in exploring materials informed by nature. (Think: a strong plastic-like material made from proteins found in milk.)

In the episode, she talks about the relationship between art, science, engineering, and design. Usually, we think of them as four separate areas. You work in one domain but not the others. But Neri says, what if, instead, we thought of them as a circle? As a clock, where we shift from one discipline to another over time. Input from one domain becomes the output of another.

Neri uses architecture, design, engineering, and biology in her work, so it makes sense that she talks about interdisciplinary work.

A diagram displays on the screen at this point of the episode, and I paused it to draw it myself. When I see a diagram that clicks for me, I love recreating it as my way of learning.

Here's the circle, with the disciplines each having their own domain, but now connected.

I'm paraphrasing the explanation from the documentary:

Art is for expression. It looks at cultural behavior, which leads to questioning presumptions about the world. These questions lead into science.

Science is for exploration. We gain information (input from art) and turn it into knowledge (output to engineering).

Engineering is for invention. It takes knowledge and turns it into utility for design.

Design is for communication. We take utility, give it context, and turn it into cultural behavior (which is then expressed as art).

Full circle.

Continuing with the clock analogy, Neri says that at the midnight position, that's where art meets science, where Picasso meets Einstein.

I love this model because it shows the value of these disciplines working together. Rather than limit work to one domain, you can shift through domains (with a team...no one is an expert in all four areas) to create a full understanding, exploration, use, and expression.

Steal Like An Artist: Routine Art

This is the best advice I have read about creative work:

Be boring. (It's the only way to get work done.)
It's from Steal Like An Artist by Austin Kleon, which is an excellent book for anyone interested in creative work. It's full of practical advice.

Most people have to practice their art for a while before they can make a living off of it, so in the mean time, they need a regular job. Austin says, get a job you can tolerate, pay your bills, and build a routine. When you have regular hours that you work, you know what time you have left, and you can carve out time to write stories, compose music, take photos, draw…whatever it is that you do.

Better yet, Austin points out that if your job doesn’t take a lot of creative energy, you’ll be happy to pour that energy into your hobbies. You take care of yourself, and you keep your mind in the right place to produce art.

This is more useful than the advice I’ve seen that focuses on craft. Other books I’ve read on writing tell me to set a daily word count goal and find a distraction-free space—which is fine, but they don’t connect creative work to the rest of your life.

Steal Like An Artist is the first book I’ve read that blends creative work with the average, day-to-day things. It’s the first time I’ve said, “Yeah, that’s something I can try today.”