4/28/25
“My Favorite DVD Designs” is a 16-page zine that collects photos of DVDs with interesting graphics.
This zine celebrates physical media. Pages feature photos of discs with text about how the graphics connect to the TV show or movie.
I have 1 copy available on Etsy (U.S. only).
I also released a PDF version on Ko-fi.
2/3/25
New zine! “Astronaut Food” is a mini zine about freeze-dried food that astronauts eat in outer space.
The zine includes history about developing food for NASA missions. The back side of the zine (when unfolded) shows vintage Tang ads and a list of sources.
If it’s giving Bill Nye episode, that’s my intent. 😉
I made a collage using space imagery for the background of the zine. All text is typed.
Copies are available in my Etsy shop (U.S. only), and I’m also open to trades.
See below for photos and full text of the zine.
Freeze-dried food was first used in NASA space missions during Project Gemini in the 1960s.
Since freeze-dried foods are shelf- stable, lightweight, and don’t require refrigeration, they’re an excellent choice for taking into space.
Astronauts use on-board water to rehydrate food in its vacuum-sealed package. Then they cut the package open to eat.
Every food package includes some liquid to hold the food together, so small food particles do not float away in zero gravity.
Food quality and options improved during the Apollo missions.
In the 1970s, Skylab, the first U.S. space station, included a galley with a table, trays, and heating elements to warm up food. The station also had a refrigerator for frozen foods, including ice cream. Yes! Regular ice cream is safe to eat in space. Just not on a cone, because crumbs could float away and get into instrumentation or irritate astronauts’ eyes.
Astronauts don’t eat freeze-dried ice cream in space, so why was it made in the first place?
To sell in gift shops!
Freeze-dried ice cream was a way to excite people about space exploration, by giving them a similar food experience to astronauts.
The original and most popular company that makes freeze-dried ice cream is Astronaut Foods.
You can find freeze-dried ice cream treats in museum gift shops, amusement parks, and online.
Tang, a powdered orange drink mix, is usually associated with space missions, but NASA did not invent Tang.
Tang came out in 1957 and was marketed as a breakfast drink full of vitamin C. Since Tang is a powder, it’s shelf-stable, which makes it convenient at home…and also in space.
Tang was first taken into space in 1962, when John Glenn became the first American to orbit Earth. After that, Tang became popular as a space-age drink.
Because of zero gravity in space, astronauts can’t mix Tang and water in a glass. Instead, they have a vacuum-sealed pouch containing the powder. They use a needle to squirt water into the pouch. Then they shake the pouch and insert a straw.
Tang is still popular around the world and comes in additional flavors, including pineapple, mango, and lemon.
What Really is Astronaut Food?
Former NASA Astronaut Explains How Food Is Different in Space
The History of the Most Polarizing Novelty Treat of All Time
Freeze-Dried Foods Nourish Adventurers and the Imagination
Vintage Space Fun Fact: Tang in Space
Tang, the retro orange drink mix that astronauts & Florence Henderson liked
Spaced Out is now available in a digital format! You can download the zine as a PDF on Ko-fi.
1/9/25
I make zines for fun, and I want zines to be primarily for fun, so I don’t set specific goals each year. Even so, I’m really happy with what I accomplished in the past year!
Here’s a rundown of zine-related things I did in 2024.
I made 10 zines!
Mini zines:
Quater-page zines:
Contributor zines (that I organized):
I contributed pages to these zines:
I joined the zine line of the Smallweb Subway. This is a webring themed after subway systems.
Not a zine, but collaboration with a zine friend. I submitted a short story to a podcast, VLASINDA’s Desolate Library.
I’m looking forward to making more zines and continuing to connect with people in 2025!
12/28/24
One more zine for 2024. 🚀
“Spaced Out” is a quarter-page zine that collects writing and illustrations that are inspired by outer space.
Illustrations were hand-drawn in black and white, and color elements were added with space-themed washi tape. All text is typed.
Details:
Paper copies are available in my Etsy shop (U.S. only), and I’m open to trading (anywhere mail can go).
Spaced Out is also available in a digital format on Ko-fi.
Here are some of the pages:
If you’re interested in how I made the washi tape pieces, I wrote a blog post about my process.
I made holographic stickers to go with this zine! This is an updated design of my “I need some space” stickers. Every “Spaced Out” zine comes with a sticker.
I added a note to the back of my zine about not using AI.
I’ve been seeing some artists clarify that they don’t use AI in their work, and I think it’s an important distinction to make. I already have a webpage about why I don’t use AI. Now I have a note in print, too.
11/25/24
Here’s a collage zine I started at a local zine hangout on Thursday and finished tonight.
I like experimenting during zine-making events, so this style is very different from the zines I usually make.
The images are pretty random. 😂 I was looking more at colors and patterns, with less regard for items in each image. Text is inspired by old card catalog entries (cards were on the tables, among archival materials available to use).
Urban Legends is now available as a digital zine! You can download the PDF on Ko-fi for free (or pay what you want). 👻🎃
10/20/24
“Left-brained art” is a mini zine that includes tips for how to make art without having to plan all the details up front. Each page includes a tip and brief explanation.
This zine encourages you to work with the materials you already have and not worry about what people will think of the finished work.
I drew the background by hand with markers. Layout and text in Canva.
Copies are available in my Etsy shop (U.S. only). I’m also open to trading! (Message me.)
Left-brained art
If you are a left-brained person (like me!), sometimes making art feels difficult.
You want there to be order. You want to sort out all the details from the start. And if you can’t do that, you feel stuck.
Here are some things I try to remember so I don’t get stuck.
Maybe these will be helpful to you, too.
Simply start
Easier said than done.
Try making something (anything) before you decide on what the end result will be.
One idea might spark another idea..and then another.
What’s “good”?
Don’t get hung up on what’s “good.”
Whatever is trending or popular for the moment doesn’t matter.
Make what interests you.
“Comparison is the thief of joy.” – Theodore Roosevelt
No plan is okay
You don’t have to plan everything. (It feels uncomfortable. I know.)
Figure it out as you go.
You can take it one step at a time.
What you have
In most cases, you don’t need special tools to start a creative project.
You can start with what you already have.
“The best camera is the one you have with you.” – Chase Jarvis
You, first
Make stuff for yourself.
If other people like it, that’s a bonus.
If no one else likes it, you’re still learning and growing.
Either way, you win.
9/29/24
“Urban Legends” is a quarter-page zine that collects art and writing about urban legends, myths, and folklore. Eighteen people contributed stories, poetry, illustrations, and collages. Work was submitted from the U.S., Canada, Scotland, Belgium, and Germany
The finished zine is 36 pages (including covers); 4.25" wide x 5.5" high; printed in black & white; and bound with staples.
The cover is white cardstock. Interior pages are 24 lb white paper.
I’m mailing copies to contributors this week. Limited copies are available in my Etsy shop.
Urban Legends is also available as a digital zine. You can download it for free on Ko-fi (or pay what you want).
Check out a few of the pages:
9/15/24
Yesterday I ran a zine-making station at a public library fundraiser. 🙂
The library had a Fall Fair with a bake sale, raffles, magic show, and games. Arts and crafts tables were inside the library. Here’s the zine-making station.
The library provided magazines, scrapbook paper, markers, glue sticks, scissors, and plain white paper. I brought copies of How to make a mini zine and What’s a zine?
This is the first time I’ve done a zine event with kids. Having collage materials definitely helps, so kids don’t have to write something on the spot.
Two girls spent about an hour and a half at the table, making two zines each, because they said they were having so much fun. 🥹
I think if I do more kid-focused zine events, I might make some kind of template that they can fill in. Having more of a guide might be a nice option besides having a blank piece of paper.
Here’s a zine I made during some downtime.
8/12/24
“What’s a zine?” is an 8-page mini zine that you can download and print on your own. It includes a brief introduction to zines: what zines are, some historical highlights, and common formats.
The zine is available on Ko-fi for free (or pay what you want).
The PDF is sized to print on one sheet of 8.5 x 11-inch paper (standard U.S. letter size).
This zine is licensed under Creative Commons (CC BY-NC-SA 4.0), which means you’re welcome to distribute and share copies for non-commercial use.
If you don’t know how to fold this kind of zine, search for “how to fold an 8-page zine” on YouTube to find tutorials.
6/24/24
“So You Met Your Past Self” includes tips for what to do when you meet a past version of yourself. This fictional zine is a handy guide for the time traveler in your life (even when that’s you).
This zine is available on Etsy (U.S.) only.
I made the background for this zine by hand. I diluted blue fountain pen ink in water. Then I painted the ink on to watercolor paper.
After the paper dried, I drew an abstract design with a dark blue marker and white gel pen.
This kind of line drawing is a technique I learned from Katie Gebely.
First you draw dots on the page, at random. Then you connect the dots with straight lines. That’s what I did with the dark blue marker. Then I added shorter lines in white gel pen.
6/8/24
I wrote an essay for The Wrench Dispatch: The Movie Issue about visuals in Barbie and Pleasantville. The zine came out in January 2024 and collected essays about recent movies.
The essay is about 900 words, so I’m going old school and putting it under a Read More. So retro.
The Barbie movie starts with a reference to the monolith in 2001: A Space Odyssey, and that’s how I knew that visuals would be important in this movie.
Barbie isn’t the first movie to share so much information about the world through visuals, but it’s the first one I’ve seen in a while to do it so well. Pleasantville (1998, directed by Gary Ross and starring Tobey Maguire and Reese Witherspoon) uses color and 1950s sitcom tropes to share information about the world.
Let’s take a look at how these movies use visuals.
In Barbie Land, colors are saturated and bright. The color palette leans heavily on pinks (so many shades of pink!). The sky is a perfect shade of blue, and the grass is a perfect shade of green. Nothing is out of place.
When Barbie and Ken go to the real world, colors are not as saturated. They feel more grounded. The outfits that Barbie and Ken wear while rollerblading have neon colors and busy patterns. They stick out immediately in the real world, even though the outfits would have been normal in Barbie Land.
In Pleasantville, David and Jennifer are transported to Pleastantville, a black and white 1950s-style sitcom. When everything is normal in Pleasantville, objects and people are in black and white. As Jennifer starts influencing the town, objects take on saturated colors, starting with a red rose. Characters appear in color after they express themselves or reach their potential.
Barbie uses colors to differentiate between Barbie Land (vibrant colors) and the real world (grounded colors). Pleastantville uses the transition from black and white to color to show changes in the sitcom world and characters.
There aren't any liquids in Barbie Land to fit the concept that there aren’t any liquids in Barbie playsets. Barbie takes a shower, but no water comes out of the shower head. She gets a carton of milk from the fridge, but the carton is empty. Barbie can walk across the pool because the surface is a sheet of blue plastic. And even the beach doesn’t have water, which is why Ken bounces off a rigid wave when he tries running into the ocean.
Pleasantville does have liquids. There's maple syrup at the breakfast table, and characters drink soda at the diner. But one thing Pleasantville is missing is toilets. In one scene, Jennifer goes into the bathroom at the diner and pushes a stall door open. It’s an empty space. This is a reference to TV standards in real life. In the 1950s and 1960s, American TV shows did not show toilets. It was considered bad taste.
Barbie knows how to drive but her car seems to go on its own. In one scene, she waves to other Barbies and even takes both hands off the wheel. The car continues on a perfect path on the road. Also, the car’s rear-view mirror is a sticker, playing into the idea that it’s there for show instead of function. The car is a toy and Barbie doesn’t actually need to look in the rear-view mirror while she drives.
In Pleasantville, the firefighters drive the firetruck, and they know how to use the ladders to rescue cats. But they don’t know what the hoses are for, since there weren’t fires in Pleasantville before. The firemen are surprised that the hoses work, because they never needed to use them before.
All the dream houses in Barbie Land have stairs, but no one uses them. Barbies appear on one floor and then a different floor, much like how a child would move a doll from one floor to another in a dollhouse.
A similar thing happens in the sitcom world in Pleasantville. Scenes take place upstairs or downstairs, but we do not follow characters up or down the stairs. This adds to the construct of sets for TV sitcoms.
Barbies in Barbie Land move in realistic ways, but details remind us that Barbies are dolls. When Barbie steps out of her slippers, her feet stay on tip-toes, as if she’s wearing heels. When Barbie walks, sometimes she poses her hands with straightened fingers (much like a Barbie doll's hands), instead of relaxed hands. There are moments when Barbie sits up or stands where her upper body moves as one, reflecting how Barbie dolls bend at the waist but otherwise have limited upper body movement.
After Barbie has thoughts about death, she loses some of her doll-like features. On the beach, she notices her feet are now flat. When she’s talking to Weird Barbie, Barbie notices she has cellulite on her thighs. These two examples show Barbie connecting with the real world.
In Pleasantville, there aren’t body changes, but there is a notable shift in how people look and carry themselves. Early in the movie, characters conform to each other. The women are in cardigans and poodle skirts with perfect makeup and hair. The men are all clean cut in tidy clothes. Everyone has good posture.
As the movie progresses and colors seep in, we see variations in their outfits and more relaxed body language.
Barbie and Pleasantville use visuals to tell the audience about the world. Both movies deliver visual information through colors, deviations from objects in the real world (liquids, vehicles, and staircases), and physical appearance. All these visual details enrich the characters and stories in Barbie and Pleasantville.
5/19/24
“How to make a mini zine” is an 8-page mini zine that you can download and print on your own. It includes a brief introduction to zines and instructions for how to fold an 8-page mini zine from a single sheet of paper.
The zine is available on Ko-fi for free (or pay what you want).
The PDF is sized to print on one sheet of 8.5 x 11-inch paper (standard U.S. letter size). No access to a color printer? No problem — the zine looks great in black and white, too.
To fold the zine, you can follow the instructions directly on the PDF. Or if you prefer video instructions, search for “how to fold an 8-page zine” on YouTube.
This zine is licensed under Creative Commons (CC BY-NC-SA 4.0), which means you’re welcome to distribute and share copies for non-commercial use.
5/14/24
“The antidote to social media” is a mini zine that looks at how negative things are outweighing positives on social media. But social media platforms are still a good way to find people to connect with. The zine suggests ways to work around the negative aspects of social media.
Copies are available on Etsy (U.S. only).
A lot of my zines start in a notebook page. Here’s where I started writing out what I wanted to include in this zine.
5/6/24
“Children of Immigrants” is a half-page zine that collects art and writing about immigrant experiences. Thirteen people contributed stories, poetry, photography, illustrations, and collages.
The finished zine is 8.5" x 5.5", 28 pages (including covers), and printed in full color.
Everyone who contributed to the zine received a complimentary copy. The rest of the copies sold out, mostly at Lancaster Zine Fest. 😃 So, no more physical copies but you can download a digital version from Ko-fi for free or pay what you want.
Note: The digital version is a PDF meant to be read on a screen. The PDF is not formatted for printing and folding a paper copy.
2/18/24
“Shoveling sand” is a 20-page zine that collects my favorite writing advice from several writers. I grouped quotes by themes including “keep a notebook,” “don’t worry about being popular,” and “get the first draft down.”
This zine measures 5.25 inches high x 4 inches wide. The cover is printed in full color on white cardstock. The interior pages are printed in black and white on 24 lb. white paper. Designed and laid out in Canva.
1/7/24
“Useless Venn Diagrams” is a mini zine with random observations, put into Venn diagram format. Topics include puzzles, note-taking, and movies.
Printed in black on teal paper. I drew this zine by hand and then adjusted spacing and layout in Canva.
12/19/23
“Cat’s Cradle” is a tiny story about mimicking someone. It’s not quite sci-fi, but it feels like it…maybe because it was inspired by a scene near the end of Annihilation. (I won’t spoil the movie and neither does the zine.)
Here’s the full text of the story:
It’s like playing cat’s cradle, but we aren’t using string.
I do one thing. She does something else that feels like… an extension. A continuation.
And then we swap.
She does one thing— says a phrase, draws some lines, moves her arm just so.
I extend— a line of poetry, a floral doodle, a yoga pose.
And then we swap.
The training protocol doesn’t specify how to teach. Just that I’m supposed to.
I report progress back to the team.
And then we swap.
10/30/23
Doctor Who celebrates its 60th anniversary next month. I collected some quotes from the Doctor in a zine…with random hipster photos. 🤭 Saturated colors, vintage objects, and a soft tone—this style of photo was all over the internet in the late 2000s and early 2010s.
10/29/23
“Work in Progress” includes process photos and notes about how I made some of my zines. Not tutorials. More like DVD commentary, but for zines.
I designed this in Canva and printed it through Mixam. (Not an ad, haha. I like sharing how I make stuff. Hence, this zine.)
10/22/23
“Modern-day Sisyphus” is a mini zine about 21st century tasks that never go away.
The zine is inspired by Sisyphus, a figure from Greek mythology who is tasked with rolling a boulder up a mountain, only for the boulder to roll back down every time he reached near the top.
Copies are available on Etsy.
Page 1 has a summary of the story of Sisyphus.
Page 2 lists chores that are repetitive: washing dishes, doing laundry, dusting, and vacuuming. At the bottom of page 2, there’s an illustration of a man rolling a boulder up a hill.
Pages 3 and 4 list tasks that are repetitive: making the bed, replying to emails, mowing the lawn, taking out trash, and paying bills. At the bottom of the pages, there’s an illustration of a man rolling a boulder up a hill.
Pages 5 and 6 list positive things that are repetitive: listening to favorite songs, making a cup of coffee, saying good night to loved ones, cooking favorite meals, celebrating holidays, and spending time on hobbies. At the bottom of the pages, there’s an illustration of a man rolling a boulder up a hill.
Here’s the back cover:
8/9/23
“Song lyrics I mishear” is a mini zine that lists lyrics where I hear the wrong words. Each page is about one song and includes the actual lyrics along with what I hear instead.
I wanted the interior pages to be a mix of typed text (the actual song lyrics) and handwritten notes (the words I hear). This way, the pages look like they’re annotated.
Copies are available on Etsy.
6/24/23
I’ve been particularly annoyed lately about how much we depend on cars, so I made a little zine about it. I’m not saying we should eliminate cars completely. I want better public transportation so everyone has more and better options for getting around.
6/2/23
“An Incomplete History of Zany Brainy” is a 20-page zine about a U.S. retail chain from the 1990s. These stores focused on affordable, educational toys for children.
The zine includes background on Zany Brainy, my favorite toys from the store, and what happened to Zany Brainy after the company declared bankruptcy in 2001.
Copies are available on Etsy.
I also made a digital version that is available on Ko-fi (free or pay what you want). You can download the zine as a PDF to read on your favorite screen. Note: This is not formatted for printing and folding a paper copy.
I had a lot of fun collecting info and reminiscing about Zany Brainy while I made this zine. I hope you enjoy reading it!
5/11/23
“Playground games in the 1990s” is a pros and cons list of recess activities that were popular in elementary school. (At least in central Pennsylvania, in the 1990s.)
Each page includes small illustrations relating to playground activities. I drew on Whitelines paper so I could draw with a regular pen and then photograph the paper to use the drawings digitally.
3/6/23
“Movies I never want to see again” is about movies I watched one time and do not want to watch again. This doesn’t mean they’re bad movies! But something about them makes me feel like once is enough.
I drafted this zine by hand and then I made it in Canva. The popcorn bucket on the front cover is modified from Terrance Barksdale’s photo on Pexels.
11/27/22
“My 20-minute rule for movies” is about how I don’t feel guilty when I stop a movie I don’t enjoy. I give any movie a fair chance, but I’m okay turning it off if it’s not for me.
I made this zine in Canva. It’s 12 pages, printed in black and gray scale on orange paper.
11/4/22
“How to Deal with Small Talk” is a collection of tips for how to handle small talk conversations.
Maybe you’re like me and small talk drags you down. And maybe, like me, you have to put up with it anyway. Hopefully this zine can help.
This zine is printed in full color. I made the background pages using blue, purple, and red inks. Some pages have digital illustrations. All the text is typed.
It might be difficult to tell from the photos, but I tried a new page size for this zine, and I like it! A 12-page zine, printed double-sided on one 8.5x11-inch sheet of paper. The finished zine is about 3.5 inches high x 4 inches wide and bound with staples. And these dreamy cotton candy colors are on every page.
Glorious.
6/22/22
“Timers for travelers” is a 20-page zine about time travel. It includes:
Pages were made with a combination of hand-drawn illustrations, digital elements, and typed text.
The zine measures 5.5 inches high x 4.25 inches wide (quarter-page zine). The cover is blue cardstock. Interior pages are printed in black and white on 24lb white paper. The zine is hand-folded and bound with staples.
